Wellington Loop – War Memorials
With the opening of the Pukeahu National War
Memorial this week and the new Gallipoli exhibition at Te Papa a
visit to the Holocaust Centre of New Zealand completes the
loop of War Memorials. The scale of the Holocaust Centre displays of
course does not compare with the massive cost no object Gallipoli
displays, but although modest in scale, it poses challenging
questions:
Jews were always big on
remembering. The Jewish narrative is full of catastrophes that Jews
are commanded to remember, from slavery in Egypt, to the destruction
of the Temple in Jerusalem in 70 AD on the 9th of the Jewish month of
Av, to the numerous massacres and pogroms throughout history
including the Holocaust. The 2779 New Zealand soldiers who died at
Gallipoli, even the 16,697 killed in the First World War, or the
11,625 casualties of the Second World War, great personal tragedies
though these were, do not compare with the slaughter of a third of
the Jewish population of the world during the Holocaust, 3 million in
Poland, 90% of Polish Jews, 90% of the Jews of the Baltic countries,
88% of the Jews of Germany and Austria, 70% of the Jews of Hungary,
about 5.600,000 altogether. Commemorating a slaughter on such a scale
appropriately was such a huge challenge that for many years there was
no Holocaust Memorial at all in Wellington beyond a plaque above the
door of the synagogue. It was not until Ziggy Relis, who fled Germany
before the war, most of whose family had been murdered, erected a
public monument in the Makara Jewish cemetery at his own expense
because he felt that the Holocaust needed a Memorial. The Holocaust
Centre evolved from a discussion of the need to honour the memory of
the victims of the Holocaust, who included members of families of
every Jew, and reflect on the tragedy of the Holocaust as part of
European and incidentally, New Zealand history by teaching and
talking about the Holocaust and keeping its memory alive. The
premises of the Holocaust Centre of NZ is a memorial in itself.
Within the walls there is a display of some of the million and a half
buttons collected by students of Moriah College from every corner of
the world to commemorate the number of children killed during the
Holocaust. There are two suitcases, one as a reminder of one half of
a family that managed to find refuge in New Zealand, the other
remembering the family that could not make it here. There is Clare
Galambos's smock that she wore as a slave labourer in the Allendorf
munitions factory in Germany during the bitterly cold winter of 1944
– 45, with her prisoner number as a substitute for her name and
individuality. Clare saved this garment, brought it with her to New
Zealand, and never talked about it or her experiences in Auschwitz
during the 32 years that she played in the New Zealand Symphony
Orchestra. The panels showing the lives of Hanka Pressburg and Clare
Galambos record the members of their families who were killed. The
stories of the Deckston children show the orphans and family members
who were left behind in Poland and were killed in concentration camps
or locked inside the great synagogue in Bialystok and burned to
death. The image of the candle flame and the tray of stones show the
Jewish way of mourning. The quote from the Ethics of the Fathers
inscribed on the ceiling, 'Whoever destroys a soul, it is considered
as if he destroyed an entire world. And whoever saves a life, it is
considered as if he saved an entire world.' — Mishnah
Sanhedrin4:9; Babylonian Talmud, Tractate Sanhedrin 37a.
reflects the value Jewish tradition places on life and the great
sense of loss experienced by the murder of every individual.